Showing posts with label light. Show all posts
Showing posts with label light. Show all posts

Wednesday, September 10, 2014

lingering summer light pt. 1

Reflections, cold wax and oil paints, Donna Watson

September... a pause for summer to say an awkward and lingering good-by and for autumn, sitting on a hill top, a jug of cider in one hand and a bunch of wild purple asters in the other, waiting to say hello.  (NYTimes)  As summer comes to an end, it is that time of year for me to post images of my Zen gardens and my Zen greenhouse.  I have decided to divide my images into 3 posts because I have so many to share.  This first post is all about my Zen house... what I call my outdoor decor.

Torii gate entrance to my Zen House

"...to walk without destination and to see only to see..." 
--- Uta Barth

Follow the stone path

"Your sacred space is where you find yourself again and again."
--- Joseph Campbell

Some of my bonsai in front of my Zen House

"The real voyage of discovery consists not in seeking new landscapes but in having new eyes"
--- Marcel Proust

One of the shelves inside my Zen House

"May my mind come alive today
to the invisible geography 
that invites me to new frontiers,
to break the dead shell of yesterdays, 
to risk being disturbed and changed."
---John O'Donohue, from a morning offer

A new birdcage, inside is a Japanese kokedama or moss ball with a Rabbit Fern

"Landscape consists in the multiple, overlapping intricacies and forms that exist in a given space at a moment in time."  Annie Dillard, Pilgrims at Tinker Creek

Kokedama or Japanese moss ball with Rabbit Fern

"Landscape is the texture of intricacy, and texture is my present subject... What do I make of all this texture?"  Annie Dillard

Another Kokedama, or moss ball with large wooden paddle

"The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty as inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek."  Annie Dillard, Pilgrims at Tinker Creek

This is a Rose de Jericho, a type of desert moss,  which dries up into a tight ball without water.  When water is added, it will open up and burst into life, until the water dries up again.  

A water feature inside my Zen House

A corner of the Zen House

A round beach rock with a bee who passed away and has been sitting on this rock all summer

It doesn't have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just 
pay attention, then patch
a few words together and don't try
to make them elaborate, this isn't 
a contest but the doorway
into thanks, and a silence in which 
another voice may speak.  
Mary Oliver










Friday, September 18, 2009

Shadows, Dancing


It comes blundering over the
Boulders at night, it stays
Frightened outside the
Range of my campfire
I go to meet it at the
Edge of the light.
---Gary Snyder, How Poetry Comes to me



"Such is our way of thinking--we find beauty not in the thing itself but in the pattern of shadows, the light and darkness, that one thing against another creates." Jun"ichiro Tanizaki, In Praise of Shadows


"The quality that we call beauty, however, must always grow from the realities of life, and our ancestors, forced to live in dark rooms, presently came to discover beauty in shadows, ultimately to guide shadows towards beauty's end."
------- Jun'ichiro Tanizaki, In Praise of Shadows

The Quebec Canada artist, Linda, whose work can be found here,
uses delightful light and shadow to stage and compliment her imagery of text and books.
When new artists begin, they often see shadows as dark gray or black. As they develop their observations and gain insight they come to realize that shadows have color or reflected light. Something seems to be flickering and shimmering in the dim half light. As artists become more attuned to observing nature, and light, the mysteries and secrets of shadows are revealed. As an artist myself, who loves contrast and black and white, shadows can soften the edge between light and dark and be a transition. This "visible darkness" brings balance and harmony to the work. Do you lean towards the light, dwell in darkness, or dance in the shadows in between?