Tuesday, June 28, 2016

Storytelling with Collage

Enso, collage by Donna Watson, hand painted Japanese washi papers

     July 9-10:  2 Day workshop:  Wabi Sabi and the Spirit of Collage in Mendocino CA at the Mendocino Art Center.  For more information go to:

     July 25-27:  3 Day workshop:  Personal Expression:  A Design Approach to Mixed Media at the Peninsula School of Art in Fish Creek, Wisconsin.  For more information go to:

     August 8-9:  2 day workshop:  Wabi Sabi and the Spirit of Collage in Phoenix Arizona at the Art Unraveled venue.  For more information go to:  www.artunraveled.com 

BOOK ANNOUNCEMENT:  I have had the honor of an invitation to be included in the book:  (The collage above ENSO is the collage included in the book.)

by Roxanne Evans Stout

Techniques for Layering COLOR & TEXTURE

Every collage has a story to tell.  Tell your story in paper, fabric, and ephemera collected from your world.  This book written by Roxanne will demonstrate and inspire all of us to capture our thoughts, memories and daydreams.  She showcases tools and supplies needed to express your memories.
The book is filled with collage challenges and suggestions.  It is also filled with a number of other collage artists, their thoughts and collages, as well as Roxanne's own work.  In other words there are lots of images to look at and get inspired.  For more information about Roxanne and her book go to her blog here.  

These are some of my collage papers and inspirations for my collages.  Old Japanese books.... old letters from the Kyoto flea markets.

Create beauty.
Value Imperfection.
Live deeply.

Monday, June 6, 2016

Wabi Sabi Hare

Collage by Donna Watson

Wabi Sabi is the Japanese aesthetic of finding beauty in imperfection,  incompleteness and impermanence.  It is a beauty of things modest and humble.  It is a beauty of things rustic, simple, organic, worn, weathered... things affected by the passage of time.  It is also about the cycle of life and our connection to nature.  It is an appreciation of nature and all life.  This is how I view the rabbit.  A quiet, still, silent, gentle, harmless (unless you have a vegetable garden) creature.

THE HARE WITH THE AMBER EYES is written by Edmund De Waal, a world famous ceramist working in Porcelain.  He inherited a collection of 264 tiny netsuke.  He wanted to know and understand who had collected them and how they had survived World War II.  The book is a moving 
memoir and detective story as he discovers the history of the netsuke and his family over 5 generations.  The writing is artful, detailed, exquisite... beautifully written memoir... and deeply moving.  He writes not just about the netsuke, but about the art and culture in each generation.

Here is the famous netsuke, THE HARE WITH THE AMBER EYES
Netsuke are miniature sculptures first created in 17th century Japan to serve a practical purpose.
Robes, like kimono, had no pockets.  Men who wore them needed a place to store their belongings like money, medicine, or pipes.  They used a container (sagemono) hung by cords from the robe's sashes (obi).  This box (inro) was held shut by ojime, small carved objects or animals.  The fastener that secured the chord at the top of the sash was a carved, button like toggle called netsuke.

Over time, Netsuke evolved from being utilitarian into objects of great artistic merit and superb craftmanship, highly respected and collected.

It is the quieter side of life that inspires me, with the feelings that come with my connection to the natural world.  My love of rabbits is part of my connection to nature.

This is a rabbit temple in the heart of Kyoto.  I was very happy to find it.

Artist Unknown

Artist W. Tucker,  RABBIT GIRL,  website:  www.wtucker-art.com

As you see above, artists today depict rabbits and hares in many mediums and forms.  

photo image by Donna Watson

The above image includes one of my ceramic rabbits, and 2 mail art envelopes I created.

photo image by Donna Watson

photo image by Donna Watson

Mono no aware refers to a feeling of life's fragility, and relates to seeing beauty in this fragile, impermanent nature, and even grasping that without permanence, genuine beauty can not exist.