Michelangelo burned most of his sketches and drawings. The Seattle Art Museum currently has a show titled: Michelangelo Public and Private: Drawings for the Sistine Chapel and Other Treasures from the Casa Buonarroti, Oct. 15-Jan 31st, 2010.
The primary focus of the exhibition is M's preliminary work for the Sistine Chapel in Rome, including a selection of working drawings for the Sistine Chapel and the LAST JUDGMENT. Together, these drawings give modern viewers insight into the artist's working process. "The exposure would have appalled Michelangelo who burned many of this drawings, hoping to sustain the idea that divine inspiration was responsible for his celebrated masterpieces." (This is a quote taken from the Seattle Art Museum website).
"If people knew how hard I worked to get my mastery, it wouldn't seem so wonderful at all."
---Michelangelo
When Vladimir Nabokov died in 1977, he left instructions for his heirs to burn the 138 handwritten index cards that made up the rough draft of his final and unfinished novel, THE ORIGINAL OF LAURA. But N's wife, Vera, could not bear to destroy it, and when she died, the manuscript went to her son, who has finally decided to publish it. However, one wonders how Nabokov would have felt. The final card in the manuscript is a list of synonyms for efface -- expunge, erase, delete, rub out, wipe out, obliterate.
Any Artist will tell you he's really only interested in the stuff he is doing now. He will, always. It's true, and it should be like that.
---- David Hockney
So, to burn or not to burn? Should artists have final say over their works? Should their wishes be respected and honored? Should the world be denied their last piece of great works?